Design springboard

Shared learning

As a group we manage to spend a weekend together in the studio at Inkberrow Design Centre about once a month. This time together is an invaluable opportunity to focus solely on being creative without being distracted by the flotsam and jetsam of everyday life. This is the time we make the most progress on the pieces we are planning to exhibit but we also try to teach each other new ideas and techniques. At our April session (sorry, I’m a bit behind here!) Judy took the lead and showed us a fun way of creating designs which can be used as starting point for further development.

Judy’s design tutorial

Judy came prepared with a slide projector and an array of interesting paraphernalia to work with. She showed us how to trim the materials to size,  trap them between pieces of plastic, and then fix the sandwiches into old slide cassettes.  At the end of the session we knocked off the lights and turned on the slide projector. Below are photographs of some of the images which were projected onto the wall.

I wonder whether you can identify what all of the bits and pieces are. Included are grains of sugar, strips of sweetie wrappers, popped bubbles from bubble wrap, netting used to package fruit, blobs of nail varnish and pieces of old film negatives.

Serendipity

We each took photographs of the projected images on our mobile phones now have a stash of pictures we can work from. The idea is to look for sections of shape and colour which are particularly interesting and then reproduce those focal points as part of a secondary design. The best thing about this technique is that it is quite difficult to predict what the finished image will look like. This removes the pressure of not knowing where to start and enables you to enjoy playing with the materials to hand.

Learning to love synthetic materials

Learning to love synthetic materials

13 & 14 May 2017 Nadine and I spent a very enjoyable weekend at Inkberrow Design Centre working with synthetic materials. We were taking part in a “Cutting, Fusing and Manipulating Fabrics” workshop run by Margaret Beal.

Keen to learn from an artist who has made her name Fusing Fabrics we armed ourselves with the key equipment:

  • soldering iron
  • samples of brightly coloured organza, polyester etc.
  • miniature Snickers bars (not on the materials list but essential)
  • Odd bits of metal scavenged from the garage (Nadine), and the drawer in the kitchen where old pizza menus go to die (me).

Day one

Margaret began by teaching her simple cutting and fusing technique which is the foundation to her method. We prepared a selection of base pieces for further embellishment. For me, the most exciting part of this technique is that layering the materials on top of each other in this way tones down vivid colours. A step away from a Christmas tree colour scheme and towards a Paul Klee palette.

Having created sufficient samples to work with we moved on to cutting out shapes by tracing around our metal templates. The soldering iron gave a degree of precision that surprised me.

Once we were shown how to use the soldering iron to fuse the pieces back together we were able to make more complex work.

Jackie’s fused fabric samples
Nadine’s fused fabric samples

We were taught how to use the tip of the soldering iron to create marks. These patterns can be used to add further interest and cohesion to the work. This is something we will need to practise a great deal to be able to make the marks uniform and to avoid slicing through the material by mistake.

We ended the first day planning to use free machine embroidery to stitch in cotton thread through the layers of fused organza and polyesters.

Day two

On the morning of the second day we set up our sewing machines. Nadine had planned to make a start on a piece for our Fracture exhibition. I randomly doodled flowers and lines. The aim of these experiments was to get to grips with cutting back one layer at a time. I am not going to post any photos of these pieces; Nadine will hopefully develop her sample into a finished piece, my doodling is really not interesting enough to show!

After lunch we moved on further, manipulating the cutting and fusing process to create 3d shapes.

Miniature 3d pieces

We were both inspired by the samples Margaret used to demonstrate the 3d techniques. We both love making vessels so I expect we will try to develop these ideas to create pieces on a larger scale.

Converted

I must admit that prior to the workshop I wasn’t very keen on working with synthetic materials because I found the colours too loud and shouty. I was also sceptical that I would be able to use a soldering iron for anything more than creating messy blobby marks, unwanted holes and  unintended fires. Margaret Beal is a very talented artist and patient teacher who very generously shared her knowledge, materials, and access to a vast collection of samples of her work. Nadine and I both thoroughly enjoyed the weekend and are now hooked on the technique.